This was really a wasted opportunity for
director/child pornographer Larry Clark.
There were moments when I was prepared to declare it not only his best
movie, but his first that I could even stand.
Then there are far too many other moments when his usual smarminess
takes full reign, as if he is deliberately trying to keep anyone from liking the
film. The set-up goes well enough,
capturing a day in the life of a group of Latino-American skateboarders who are
also in a punk band. The fact that
they’re musicians is such a selling point of the movie, you’d think they’d make
more of it, but after an early scene of them rehearsing, that’s the last we
hear of the matter. Instead, Clark begins his not-so-subtle remake of The Warriors, as the gang treks to Beverly Hills and then,
after a series of adventures, tries to make its way back home. Along the way, they are waylaid by
stereotypically jerky cops, siren-like girls, and assorted other Hollywood trash.
Just when we’re ready to embrace this movie with its naturalistic
performances and careful character study, from left field Clark
hurls at us one painfully bad and mean-spirited gag after another, such as a
drunken rich lady who electrocutes herself in her own bathtub. The DVD features a little documentary in
which the 60-ish Clark is seen trying to pal
around with these 15-year-old boys like he’s one of them. It’s really rather pathetic and a reminder of
how out-of-touch he is with not only reality, but any conception of himself as
a dirty-old-man filmmaker.

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