William
Burroughs long ago predicted that a hoax called a “war on drugs” would be used
as a pretext to begin stripping citizens of their civil liberties, and that
this “war” would guzzle tax dollars indefinitely even though it would make no
actual progress in discouraging casual drug use. “All the people that you hate hate drugs, so
you know that they’re great.” So goes a
line from the song ‘Drugs Are Cool’ during the opening credits. Cevin Soling’s non-narrative film is a
contemptuously sarcastic assault on government and media anti-drug programs in
the past few decades. Between histrionic
vintage ads and new comic vignettes mixing facts and vicious satire, the film
will likely delight anyone who, like me, remembers feeling annoyed and insulted
in school, (rather than scared straight), by the moronic campaigns of police,
teachers, politicians and vapid celebrities to drill into us that drugs were
bad. Soling takes special aim at the
hypocritical acts of lawmakers desperate to appear pro-active and who have consequently
landed us in a post-Bill of Rights era in which people are coerced into signing
pledges and submitting to urine tests and arbitrary searches and seizures by
bored traffic cops. It’s of interest to
note that a hard line on drugs is pretty much the only issue upon which Democrats
and Republicans are in complete agreement.
The ironic, inflammatory approach of Soling’s film is admirable because
it diverges from the predominant polemic documentary style – á la Michael Moore – that attempts
persuasion with endless talking points.
By pretending to advocate drug use willy-nilly, the film points out the
patronizing absurdity of propaganda tactics that are typically used by
activists on every hot-button political issue.
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