Thursday, June 14, 2012

John Carter

Andrew Stanton – 2012 – USA

After decades of aborted attempts to bring Edgar Rice Burroughs’ John Carter of Mars books to life on film, here finally is an audaciously satisfying epic popcorn movie that dares you to find something wrong with it.  As seen in some recent big summer sci-fi movies – Iron Man (2008), Star Trek (2009), etc. – certain filmmakers appear to have hit on the right recipe for weeding out the elements in action film that historically have made audiences and critics alike roll their eyes in frustration.  Depending on your point of view, the formula may seem like overly calculated homogenization or it might be cause enough to simply have fun at the movies again.  What I liked specifically about John Carter is the following: 1) I wasn’t distracted by big name stars; (Taylor Kitsch in the title role does a fine job).  2) It lacked the factors that made the similarly themed Avatar so overblown and pretentious; primarily a weighty self-importance.  3)  It’s unforced senses of adventure, humor and whimsy are a relief and a sharp contrast to the cynical and boring attempts at the same in most “big” movies.  4)  It successfully sidesteps criticism of its play-it-safe formula by getting you involved in a well-told story, not allowing you time to announce your predictions about what clichés are coming.  5)  Its special effects feel germane to the story; and it’s very strange for me to say that since I’m so used to being annoyed by the blurry and incongruous-looking effects in most sci-fi/fantasy extravaganzas.  And 6)  Its themes – (identity, personal freedom, race, empire) – are valid and relevant without being blatantly allegorical or patronizing in their presentation.

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