It’s not a literal adaptation of Oliver Twist, but more like an updated retelling of the same basic story; you know, like West Side Story was patterned on Romeo & Juliet. Even so, I actually enjoyed it more than most straight remakes of the Dickens classic save only David Lean’s. Joshua Close plays Oliver, a naïve runaway just arrived in
Wednesday, July 18, 2012
Twist
Jacob Tierney – 2003 – Canada
It’s not a literal adaptation of Oliver Twist, but more like an updated retelling of the same basic story; you know, like West Side Story was patterned on Romeo & Juliet. Even so, I actually enjoyed it more than most straight remakes of the Dickens classic save only David Lean’s. Joshua Close plays Oliver, a naïve runaway just arrived inNew York
who falls in with a group of male hustlers.
But the film really belongs to Nick Stahl, turning in another of his
patented edgy performances as yet another wired and desperate character; this
time the Artful Dodger, known simply as ‘Dodge.’ Here Dodge takes center stage, struggling not
only with the dangers of his profession and heroin addiction but also with the
family he escaped and the new underground family to which he belongs. Despite its subject matter, the film is
surprisingly low-key, and not the gritty exposé that most every other movie about street life is. It’s a modest drama driven by character and
mood more than plot and sensationalism.
It’s not a literal adaptation of Oliver Twist, but more like an updated retelling of the same basic story; you know, like West Side Story was patterned on Romeo & Juliet. Even so, I actually enjoyed it more than most straight remakes of the Dickens classic save only David Lean’s. Joshua Close plays Oliver, a naïve runaway just arrived in
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