The unit at Universal that had lately been making sumptuous
and colorful fantasy adventures like Arabian Nights (1942) and Ali
Baba & the 40 Thieves (1943), dealt with the sobering effects of the
final war years and the proliferation of film noir by turning to a
modest black-and-white espionage thriller.
The result, of course, is merely an awkward wannabe Casablanca , right down to its central
nightclub location and a nocturnal finale at the airport. Its failure put an end to the cycle of exotic
camp classics that always featured Maria Montez, John Hall, Turhan Bey and/or
Sabu. Tangier is fun at times,
but mostly forgettable, mainly of interest to see Montez and Sabu acting wildly
and doing so many weird things, like – in Sabu’s case – singing various
contemporary numbers off the hit parade.
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