The only thing I could think about while watching A Return to Salem’s Lot was how bizarre
it was to see the great director Samuel Fuller, aged 75 at the time, not only
acting but actually doing stunts; running around, falling, shooting guns,
stepping into bear traps. Very odd
indeed. Shot back-to-back with Cohen’s
other 1987 release, the hilariously titled It’s
Alive 3: Island of the Alive, the two films share a freakishly histrionic
lead performance by method actor Michael Moriarty, a favorite of director
Cohen’s. The film doesn’t seem to have
much to do with either Stephen King’s book or Tobe Hooper’s mini-series
adaptation from 1979, except for there being a town called ‘Salem ’s Lot
that vampires have taken over. Moriarty
plays an arrogant anthropologist who is summoned from the field back
to the United States
to take charge of his delinquent teenage son, and decides that the best thing
to do is spend some time in sleepy Jerusalem ’s
Lot in Maine . The elders of the town are vampires who
waylay tourists for their blood but also have a desire to be respected by the
rest of the world; hence they want Moriarty to write their history into a
“Bible” that will make humans not so scared of them. Or something like that. Much of it is howlingly cheesy, but I
wouldn’t say it’s a bad film. As in It’s Alive 3, Cohen is very much in
tongue-in-cheek mode here; playing up camp, satire and flat-out wackiness over
genuine scares or creepiness. Larry
Cohen didn’t likely have any illusions about winning awards from the Hollywood
Foreign Press Association for his films, but they are never just shameless
schlock either. His sense of humor and
flair for oddball scenarios always make his films memorable and enjoyable, even
if they often leave you slightly curious about how hard he was really trying to do something
substantial.
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