Werner Herzog &
Dmitry Vasyukov – 2010 – Germany
The latest of many
forays into the wilderness on filmmaker Werner Herzog’s part; following recent
successes like Grizzly Man (2005) and
Encounters at the End of the World (2007). Herzog is no PBS documentarian, though. His films are sobering penetrations into
nature without whimsy or romance; always mediated by his own personal slant, narrated
with a voice that is simultaneously discomfiting and tranquil. Happy
People chronicles a year in the life of a Siberian trapper working along
the Yenisei River, as well as the community he comes from, hovering between
primitive and modern ways of life. As
the seasons come and go, the trapper – who spends most of the year alone in the
wild – shares with the camera his work methods, his philosophy and his personal
experiences. A chainsaw and snowmobile
are the only technological conveniences he allows himself. Everything else is done by hand, including
carving skis, fashioning traps and building cabins. It’s a fascinating film, but it’s even more
interesting as a cinematic experiment by Herzog. It is primarily shaped from raw footage taken
by Dmitry Vasyukov. This seems to be the
primary basis for Vasyukov’s credit as a co-director, which I tend to feel is a
little too generous on Herzog’s part. It
is his involvement that imbues the film with its artistic merit. Like many of Herzog’s best films – in both
fiction and non-fiction – Happy People shows
how coming face to face with punishing environments can alternately lead to
edification or madness. This is a rare
case where the former happens; hence the title.
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