John Michael
McDonagh – 2014 – Ireland
Calvary is
an excellent Irish drama that is the definition of effective character study
and one of the best films of the year.
Brendon Gleeson is quietly powerful from start to finish as a parish
priest in an isolated seaside village.
Gleeson’s imposing frame and presence indicate immediately that his
character, Father James, is not the stereotypical nebbish who joined the
priesthood to hide from real life in a safe and ego-stroking vocation. We learn that James is a widower with a grown
daughter and that he committed to a life of faith and service as part of a
mature life decision. But he lives in
faithless times. Nearly everyone in the
village is contemptuous of him and the church; or more accurately, they resent
the church and choose to abuse him as its nearest representative. People seem to like him personally, and yet
their anger over the excesses and abuses of the church makes them unable to see
him as a human being. One day, in
confession, a member of his flock who says he was sexually molested by a priest
years earlier promises to murder James one week hence. The man says he will sacrifice James not
because he has done anything wrong but because he hasn’t; because he is a good
man. It is to be an act that will
especially outrage people and be remembered.
Like a terrorist, he feels that the innocent, not the guilty, must be made to suffer if the world is going
to take notice and take action. As the
days go on, James seeks counsel and comfort while also seeing faithfully to his
duties. Harassment escalates as well,
but whether or not it is by the announced murder is a mystery. James’ test is not one of faith; he endures
no brutal nights of angry prayer where he demands that God protect him in exchange
for his years of obedience; nor does he plead for a sign that he should flee
for his life. His test is one of
character. He seems at peace with God
and knows that his endurance is not to guarantee himself a better seat in
heaven but may inspire those around him to live better lives. I found the film very profound in its
treatment of faith as a practical matter.
Most films along these lines are all about wrestling with the existence
of God, but Calvary is about the
choices people make in the face of adversity when that wrestling is long over.
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