Karl Mueller – 2013 – USA
This is
a trippy supernatural horror film that has a lot of great ideas but is
ultimately a letdown because it remains satisfied to be reminiscent of far too
many other popular films instead of breaking out in its own direction. It starts out very intriguingly; a young
couple isolate themselves in the hills to make a documentary, and just as they
are losing interest in it, discover several primitive sculptures propped up in
the woods that look like they were created by the witch in The Blair Witch Project.
These turn out to be “scarecrows;” part of a series made by a famous and
reclusive outsider artist known as ‘Mr. Jones.’
At first the filmmakers are excited by the prospect of finding Jones and
hope to make him the new subject of their project, but as they continue to
explore Jones’ house and surrounding woods, come to fear an evil secret behind
the scarecrows. Apparently there’s some
sort of inter-dimensional portal or gate-to-hell or some such thing around
there, and the scarecrows are intended to keep people away from it. Time and reality start to collapse, leading to
a mind-bending final act in which the characters are either going crazy or
playing a part in ushering in the apocalypse, whichever you like. It’s not a bad film, in my opinion, and I
found the “found footage” trope less annoying than usual, but it stops short of
doing anything very original. The aspect
I liked the most was the introductory stuff about the outsider artist and his
scarecrows, and I increasingly lost interest the more the story careened
towards the supernatural.
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