Noah Baumbach – 1995 – USA
Noah Baumbach’s first feature
spends a few months with a group of too-witty-for-their-own-good
Ivy League graduates as they attempt – or don’t attempt – to transition from
campus life into the real world. In this
debut effort, Baumbach – much like his less intellectual contemporary Kevin
Smith – is obviously paddling in the fresh wake of Richard Linklater and Whit
Stillman, and I was glad to see that he proceeded to hone his style into
something more recognizable as his own in ensuring films. (The film borrows at least two actors from Dazed and Confused and at least one of
Stillman’s regulars, Chris Eigeman, along with many other elements from
Stillman’s Metropolitan.) These are just my film-geek observations;
none of it means that the film isn’t good.
Besides, I’d rather people imitate Linklater and Stillman versus
Tarantino any day of the week. The title
is ironic, of course, because the characters in the film display little energy
or enthusiasm at all, let alone enough passion to start kicking or screaming. In place of ideas, interests or skills, this
group of friends has only a wealth of academic knowledge about philosophy and
literature, which leads to nothing but painful awkwardness whenever they come
into contact with the messiness of everyday life. They have no choice but to commiserate
together, as well, since their arcane pontifications make them seem snobby to
all outsiders. The scenes in the film
are basically a relentless stream of humiliation as irony is used alternately
as a crutch and a mask to cover up extreme self-doubt and aimlessness. Yes, it is just as painful as it sounds, and
it’s also consistently hilarious.
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