The
second of three adaptations by Ken Russell of the works of D.H. Lawrence – the
others being Women in Love (1969) and Lady Chatterley (1993). The Rainbow is not as rich and
sensuous in comparison to Women in Love, but few films are, so that is
perhaps not a fair criticism. As always,
Lawrence ’s
motifs of class strife, the plight of coal miners, and burgeoning female
passion being at odds with Victorian English mores are at the fore. Sammi Davis is Ursula Brangwen, a
strong-willed young woman coming to terms with society’s expectations for girls
in her social rank; the most that is expected of her is to marry someone
convenient before she gets too old.
There is to be no ambition, no romance, nor any other personal
desires. As in all of Russell’s best
films, there is a pulsing vitality in his direction of both the actors and the
camera that compliments Lawrence ’s
paganistic themes of nature versus society.
At a time when Russell’s career was considered to be in decline, The
Rainbow appears a young man’s film, full of the life and blood that were frequently
missing from similar but more respectable British period films of the time like
those of James Ivory.
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