Probably
one of the sloppiest of the handful of naughty-young-professional-women series by
Roger Corman’s company in the early 70s, Jonathan Kaplan’s Night Call Nurses
is still pretty interesting as a time-capsule of its era. It would be easy enough to make a trashy
soft-core sexploitation film, but to his credit Corman put a high premium on
humor and topicality, which gives his productions an eccentric quality that
earns forgiveness, even affection, for their overall silliness and weak
production values. In most such films, either
stewardesses or nurses or cheerleaders struggle – or don’t struggle – with
nymphomania, political stridency and general empty-headedness, but in the
Corman films, the young women are fairly normal and are merely reacting to a
string of bizarre events. In this case,
one nurse gets involved with a notorious black revolutionary in hospital after
being injured in a prison riot, while another becomes the focus of a creepy
psychologist’s experimental therapies.
Meanwhile, the nurses are also being sent increasingly menacing notes
written in lipstick that threaten to punish them for their presumed
promiscuity. With a climax that involves
a run from the law and an insane transvestite, it’s hard not to smile along
with the film’s madcap pace and strange goings-on.
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