Visions of 8 is the last of three great documentaries
made about the Olympic Games, the others being Leni Riefenstahl’s Olympia (1938)
and Kon Ichikawa’s Tokyo Olympiad (1964). It was American producer David L. Wolper’s
idea to invite eight of the world’s leading filmmakers to each direct a segment
about a particular aspect of the 1972 games in West Germany ; with titles like The Strongest, The Fastest and The
Losers. My favorite of the anthology
is Arthur Penn’s film The Highest, about the pole-vaulters, which makes
striking use of the slow-motion technique that he had helped popularize in
mainstream movies, to the extent that it became a sigh-inducing cliché in films
by countless others. This and Ichikawa's film The Fastest make full use of cinematic devices to freeze moments to contemplate rather than merely reporting on development of the competitions as you would see in television coverage of the same events. The film is
admirably dedicated to the Israeli athletes who were killed by terrorists
during the games.

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