The misty mountains that haunt Herzog’s life and cinema, and
indeed much of the German cinema that he grew up on, return in Scream of Stone. It is a film that Herzog supposedly prefers
not to count among his work due to the weakness of its script, but is
nevertheless full of characteristic Herzogian details that make it worthwhile
and highly recognizable as a Herzog film.
Fog-enshrouded mountainous ranges play integral parts in various Herzog
films from the masterpiece Heart of Glass
(1976) to the documentary precursor of this film, 1984’s The Dark Glow of the Mountains. Climber Reinhold Messner, who was featured in
that film, suggested the story of Scream
of Stone to Herzog. The plot is (for me, at least) refreshingly threadbare; a rivalry between a surly soul climber and a hotshot
celebrity sportsman results in a challenge between them to scale the Cerro
Torre in South America . The performances by the leads are certainly
amateurish but I don’t see this as a weakness any more than the outsider acting
of Bruno S. in Herzog’s great films Kaspar
Hauser (1974) and Stroszeck (1977). Eccentric pros like Donald Sutherland and
Brad Dourif walk through periodically to even out the acting credentials of the
movie. Dourif, of course, would go on to
become one of Herzog’s favorites; appearing in, among other things, The Wild Blue Yonder (2005). Scream
of Stone came during a period of overall uncertainly for Herzog as he was
transitioning away from the exceptional features that made him famous into
a solid career as one of the finest documentarians in the world. In other words, his narrative features
following Fitzcarraldo (1982) tend to
be on the weaker side, though there are exceptions. But Scream
of Stone successfully accentuates Herzog’s persistent themes of the
indifference of nature as the bane of mankind, expressed here in a stunning
climax – featuring remarkable live stunt work by the mountaineers – in which the
petty ambitions of men are rendered insignificant in comparison with the
punishing power of the elements.

No comments:
Post a Comment