John Carpenter – 2001 – USA
I tend to like a lot of movies that were critical failures;
and this is one of the biggest failures of all, so bad that it pretty much
drove John Carpenter into semi-retirement.
I still affirm that the problem lies with the critics, not
Carpenter. The problem is that they
unthinkingly judge a movie like this next to other sci-fi/action films. In that context, it isn’t very impressive, (and
Carpenter has certainly never had much interest in competing in the summer
blockbuster arena). But when looked at as
a “Carpenter film” instead, Ghosts of
Mars is a near-masterpiece. It is
also a summing-up film for Carpenter’s career, consolidating all the genre
elements – western, horror, science fiction – that have made up his filmography
since the 70s. The two influences that
loom largest over his work are arguably Howard Hawks and H.P. Lovecraft, and Ghosts of Mars is an amalgam of
both. A band of hard-boiled characters
in an isolated locale, honorable outlaws, tough women; these are all elements
from Hawks that filter into Carpenter’s films, including this one. And from Lovecraft, Carpenter acquired the
brooding theme of “old ones” who once controlled this world and can re-emerge
at will to decimate our tranquil lives.
Set in a future run by a matriarchal society, Mars is in the early
stages of colonization, but excavators crack a tomb containing the spirits of
an ancient race that once ruled here.
Taking to the air like a dust cloud, the spirits invade the bodies of the
humans trying to settle Mars. In the middle
of this supernatural insurrection, a group of soldiers led by Natasha
Henstridge must transfer a notorious criminal, Ice Cube, from an outpost jail
besieged by possessed savages.
Carpenter’s elegant camerawork and familiar themes are inherently pleasing
to hardcore fans like myself, but two things make Ghosts of Mars particularly unique; its curious, layered
flashback-within-flashback structure, and its visceral metal score composed by
Carpenter himself and performed by notable artists like Anthrax, Buckethead and
Steve Vai.

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