Charles B. Pierce –
1972 – USA
Drive-in classic
from the early 70s; the tail end of that golden age that saw an explosion of
truly independent filmmaking all around the country. I use the word “independent” differently from
how it’s normally used today. Pierce is
in a category with people like Herschel Gordon Lewis, Russ Meyer and John
Waters, who not only shot their films on a shoestring budget with absolutely no
studio backing, but distributed them personally too; cleverly sidestepping the standard
process used for studio films. What is
particularly rewarding about this phenomenon was the fact that unique and
eccentric regions of the country could be represented as they are not in
Hollywood. Just as Waters shined a
spotlight on his hometown of Baltimore, Piece’s films gave voice to the
American south as no one had before.
Often taken for a Bigfoot film, The
Legend of Boggy Creek is actually based on the “Fouke monster” of Missouri,
which is basically the bayou version of the Northwestern Sasquatch. The film has an unusual “docu-drama” structure
comprised of many sequences that would
come to be known in documentaries as “re-enactments.” The fact that these are re-enactments of
completely fictional events drags us into a murky swamp cinematically. There are also interviews with actual locals
recounting their various alleged encounters with the hairy humanoid cryptid. What remains vividly in the mind of fans,
however, (who saw the film either in theaters or on TV in the 70s & 80s),
are the handful of truly scary sequences when the Fouke monster stalks and
attacks people and homes, especially a scene in which some children hide in a
rickety house while the creature scratches and pounds at the door. The fact that the film is so cheaply executed
is the litmus test of fandom. It’s
cheapness naturally turns off a majority of viewers who can’t tolerate it; but
it is also what makes it so frightening.
There is an immediacy in its treatment of locale and character that is
worth more than a calculated re-creation could ever have.

No comments:
Post a Comment