This
short film by Norman McLaren is like a mysterious black-and-white outtake from
Disney’s epic animated anthology Fantasia
(1940). Just a year earlier,
producer Val Lewton had crafted an entire horror feature around the same
painting; “Isle of the Dead” by Swiss artist Arnold
Böcklin. Apparently, it was
hugely popular in Europe in the 1800s, and its ubiquity obviously had a lasting
impact into the next century. It depicts
a rocky islet where Cypress trees and windows carved into the rock face convey
a funerary aura, with a cloaked boatman arriving with a coffin in the bow of
his boat. McLaren’s film brings the
painting to life with animation, first subtly by having the wind move trees,
and then plunging right into the scene and altering perspectives. As in the “Night on Bald Mountain” sequence
from Fantasia, ghostly apparitions
seem to drift from the doors and windows of the building. It’s a somber and spooky film that
effectively builds upon the emotions of the painting. McLaren made dozens of such experimental
films – often under the aegis of the National Film Board of Canada – as well as
many documentaries and industrial shorts.

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