Brian Helgeland – 2015 – England
It takes a certain degree of
arrogance for an actor to take on the roles of identical twins in a non-comedic
film. So much can go wrong, and it's the kind of thing that often
leads to unintentional camp humor in old movies and TV soap operas.
Jeremy Irons' work in Cronenberg's Dead Ringers has always
been a notable exception. There are very few actors I wouldn't scoff
at for doing such a thing, and Tom Hardy is one of them. As the notorious
Kray brothers – Reginald and Ronald – of 1960s London, Hardy
continues his remarkable career path characterized by an ability to choose
the best possible projects in which to showcase his chameleonic range.
Peter Medak's excellent 1990 film The Krays used real brothers
Gary and Martin Kemp as the British underworld gangsters with
a fondness for media attention. Though Legend is
based on the same book as The Krays, perhaps wisely the
filmmakers opted against a scene-for-scene remake. One of the best things
in Medak's film was the heavy focus on the twin's mother, played by the great
Billie Whitelaw in a memorably vitriolic performance; here the character is
barely seen. On the other hand, there is now room for issues like Ronnie
Kray's homosexuality and mental illness to be dealt with more
substantially. The twinning special effects in the film are seamless; in
scenes where they are together, you can easily forget that one actor is doing
both parts. The period rendering of London 50 years ago seems virtually
flawless too. Only Chazz Palminteri, as an emissary of Meyer Lansky,
feels a little out of place; not just because he's the only American, but his
style is too modern; (the poor guy; like Joe Pesci, no one is interested in
using him in anything but mob boss roles).

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