Jon Favreau – 2016 – USA
I quite wanted to like this
movie, which I believe is the third adaptation by Disney following the 1967
animated classic and the 1994 live-action version, (though there have been many
other remakes, sequels and knock-offs too).
I’m a big fan of Rudyard Kipling’s anthology of stories that comprise
the two Jungle Books, published in
1894 and 1895 respectively, as well as Alexander Korda’s sublime 1942 film
starring Sabu as Mowgli. The thing that
struck me immediately about Jon Favreau’s version is its oppressive
artificiality and total lack of exoticism.
The GCI characters are blurry and unconvincing, and when their animal
mouths articulate dialogue in American English, it’s pretty absurd,
distractingly so. The celebrity vocal
performances are surprisingly weak and barely seem to match the action and mood
of the scenes at all. Mowgli himself –
one of the most beloved of all fictional characters for his mischievousness,
cunning and humane dignity – is portrayed, (in typical kids-movie fashion) as a
wisecracking middle-class brat with a beautifully bland contemporary American
dialect. Why make the character Indian
in appearance at all if his voice is arrogantly modern? And that leads to the most basic problem with
the film; it’s complete divorce from any feeling of taking place in the
wilderness of 19th century India.
Everything is so pristine and fanciful that it looks like a cross
between Avatar and Disneyland’s
animatronic Jungle Ride. There is no
real sense of danger, let alone genuine beauty.
Anything not computer generated seems to be a polished studio set. Kipling’s literary characters were noble and
spoke in poetic language. Favreau’s
characters are out of a 21st century TV sit-com; sarcastic, eye-rolling and
uttering phrases like “really?”, “pretty cool” and “my bad.” Since filmmakers are so unwary about
returning to this same well over and over again, I wonder when one of them will
actually demonstrate that he has any actual respect or even familiarity with
the Kipling stories. There are so many
adaptations; why not make just one of them in the anthology fashion of the books
instead of always turning it into an epic about Mowgli? Where’s Toomai of the Elephants? Where’s mongoose Rikki-Tikki-Tavi? Where’s Kotick, the white seal? Oh well, I suppose if this movie was great I
wouldn’t be bothered with such thoughts; but it isn’t. I was ready to check out about the time of a
ludicrous scene in which Mowgli kicks at a honeycomb swarming with bees and is
not only barely attacked but barely annoyed by the handful of stings he does
receive. How are you supposed to be
moved or concerned when this same kid goes up against a man-eating tiger in the
middle of a burning forest?
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