Brian Robbins – 1999 – USA
Late 90’s guilty pleasure that
successfully fuses the pervasive high school comedy with earnest “after-school
special" exposé. It works, but
that’s not saying much because it’s hardly the loftiest of goals. Intended as a star-making vehicle for a
career than never materialized for James Van Der Beek, it focuses on the high
school football team of a small Texas town called West Canaan, presided over by
a fascistic coach played by a scenery-chewing Jon Voigt. The film is utterly devoid of subtlety. Every character is a one-dimensional
stereotype who exists solely to advance the plot and provide visual lip-service
to “diversity.” Voigt, in particular, is
so over-the-top evil that he is really more like a supervillain approaching Lex
Luthor dimensions. He scowls and snarls
while forcing minors to play while injured, and he doesn’t think twice about
having them injected with painkillers to finish games, blackmailing students to
cover up his crimes, threatening to tamper with their grades to sabotage their
college chances, and finally actually trying to choke one of them to death in
front of the entire team, and all just to protect his reputation as a winner. There’s quite a bit of unaddressed hypocrisy
going on in the film too, as Van Der Beek is ostensibly a free-thinking,
Vonnegut-reading, aspiring author who doesn’t take football seriously, yet
nevertheless leads his team to victory with inspiring speeches, innovative new
game plays, and powerhouse skills on the field.
He’s the kind of hero who is able to have his cake and eat it too. Facing no risks and having to make no hard
choices, apart from overcoming a brief ego trip, he manages to shame the entire
town for their love of football while also becoming the star player and
enjoying every minute of it and even finding spare time to rescue
fellow-players from the team doctor’s needle and the coach’s vengeance. All these things are only problems if you
think about it too much; it’s actually pretty well-made and enjoyable all the
way through. It’s particularly effective
as a satirical critique of Texas football culture, which borders on cult-like fanaticism,
but it gradually weakens as it hurdles its way – per sports movie clichés – to
a climax involving the Big Game, where Van Der Beek achieves Christ-like
righteousness by outwitting the evil coach and winning the game while still
looking down his nose at the frivolous priorities of every other human being in
his life. There is one noteworthy
sequence – edited in slow-motion and backed by AC/DC’s ‘Thunderstruck’ – that
takes place during a nighttime game in which all the players are hung over and
playing horribly. And yes, this is the
movie that contains the famous ‘whipped cream bikini’ scene starring the
ridiculously gorgeous Ali Larter, which for many is worth the price of
admission alone.
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